The Ultimate CD-ROM For All Cubase Users The title of this offering from System Solutions smacks of the latest round of TV advertising for "The best Rock/Soul/Sixties...album in the world...ever!" So is it the ultimate? On first impressions, I would have to say that the answer is no. Although the CD Rom is targeted at all Cubase users, a large portion of the disc is given over to audio samples in the AIFF standard used by most versions of Cubase Audio. That material is fairly useless to midi only Cubase users. The CD comes in the usual kind of plastic box with a colour printed inlay card giving a rough guide to the contents - very rough. In fact, the guide is simply a list of paths and filenames with no clue being given as to the content. With, as the insert says, over 400 midi and *.ARR files, over 400 professional loops, over 1200 AIFF recordings, software, Help, Information, Mixer Maps, and Devices, this is not a terribly helpful approach. I prepared myself in trepidation to start sifting through the information on the disk. The first problem I hit is fairly fundamental - Cubase Audio Falcon will not recognise the CD Rom drive as a valid drive. This problem has been discussed at length on the alt.steinberg.cubase newsgroup on the internet and, as far as I am aware, there is no solution as yet. So, to hear the samples within CAF, you must first copy them to your SCSI hard disk. Fortunately, most of the samples are short enough to be loaded up by the demo version of Zero-x which is supplied in the software section of the disc, so I used that to audition the samples and loops directly off the CD. I'm afraid to have to say that most of the samples were disappointing. I first looked in the brass folder, hoping to find some killer horn section snippets which could be slotted into one of my arrangements. Now, today's recording technology is so good that it is sometimes difficult to tell the real thing from the copy but unfortunately, most of the brass samples seemed to be taken from a keyboard which was already playing a brass sample! I don't think I would be alone in expecting the samples to be recordings of the real instrument, but this only seemed to be the case for some of the solo trumpet samples in the brass collection. The same holds true for most of the sample collection - a lot of artificial, synthetic sounding samples interspersed with just a few authentic ones. One or two of the samples and loops provided are badly recorded, with lots of background noise and buzzing and some, like the bass guitar ones, have been inexpertly played, resulting in a messy sound. Apart from one folder of drum loops which has a four or five word description for each file, the only guide as to what the files will sound like comes from the path and filename. On a disc listed at 70, I do not think that this is acceptable. The midi file and *.ARR file sections tell a similar story. There is a selection of pieces by famous composers like Beethoven and Brahms, but no attempt has been made to make the files easy to play. Even a set of General Midi program changes would have given the user a starting point but you will have to read the track lists and set up your sound modules accordingly. Also available in this section is a folder full of generic "style" files. These are each organised into small chunks which can be combined in different orders to make up whole songs. the programming is competent but not exceptional and I wonder why anyone would use these files rather than create their own. The mixermaps folder is the first truly useful resource I found on the disc and it contains mixermap files for all sorts of equipment from Akai to Yamaha. You may well find something applicable to your setup here but it must be said that the collection is not exhaustive - for example, in the Yamaha folder there are maps for various versions of DX7 and also for the Pro 01 and DMP7 digital mixing desks but nothing at all for any of the popular SY series synths. The Atari software section contains some 30 editor / librarian programs for a selection of different synths, 20 Cubase or music related accessories and a handful of commercial demo or public domain utility programs. PC or Mac users are going to be disappointed in their software sections, however, with the PC folder containing 5 demo programs and the Mac folder only containing a demo of Cubase Score! There is a huge amount of data on the CD Rom but unfortunately it is neither of a high enough standard nor well enough presented to make it truly useful. If you are interested in acquiring good sound samples, one of the many dedicated CDs on the market would serve your needs better - although you would have to convert them into *.AIFF format yourself. Likewise if it is some spice for your midi creations you are looking for, then there are high quality files available, like the Twiddly Bits collection which I'm sure would prove to be much more valuable. The word 'ultimate' may well prove to be the correct one in this case because if I had paid the full price for this CD, I think someone would have a very hard job persuading me to part with my cash for another one! ------------------------------------------------------------------------- The Ultimate CD Rom For ALL Cubase Users Author: Keith Turner-Cairns Publisher: System Solutions 17-19 Blackwater Street East Dulwich London SE22 8RS Tel: 0181 693 3355 UK Price œ70 inc VAT Pros Collection of ready made samples for Cubase audio. Reasonable collection of Mixermaps, Device Drivers and Atari software and accessories. You are bound to find something useful on the disc. Cons It will take you a long time to find it! Virtually no documentation. Some samples not well recorded. Mid file collection not exceptional. High price.