Release notes..
Copy the 3 *.prm files and the 3 *.hlp files to your Premiere Plugins
directory.  You must add the main Premiere directory to your path statement.
In Win95 add the premiere path to the path statement in your autoexec.bat 
file and reboot.  In WinNT right click the "My Computer" icon, select
properties, select environment, select path and type in you premiere path
to the statement and reboot.  The manual and help files have been included
to make your journey into the world of bluescreening a breeze!  Enjoy!

Ultimatte V2.0.2 with multiprocessor support for Windows95/NT - Automatic 
masking for bluescreen desktop image compositing.

Now you can combine multiple frame images in just minutes on a Windows
based PC. Fine hair detail, water, shadows, smoke, glass and reflections,
even blurred edges -- all composited flawlessly and automatically with
Ultimatte.
Ultimatte in a plug-in Transition Module which offers an unparalleled
method of combining multiframe images to produce a composited sequence of
images. It allows you to achieve realistic looking composited scenes that
would otherwise be too dangerous, impossible or impractical.
Ultimatte also affords a way to produce images without the large expense
of taking models and crew to expensive locations.

Features:

*Fully-linear mask: eliminates hard edges -- fine detail, blurred images,
 transparencies and shadows visible in the foreground image will all
 reproduce in the final composite.

*Spill-suppression logic: automatically removes discoloration of
 foreground subjects caused by light reflecting from the blue or green
 stage.

*Screen Correction: compensates for an unevenly lighted or painted blue
 or green screen ensuring flawless composites.

*Grain Killer: filters out noise from the blue or green screen areas of
 the foreground without affecting the foreground image.

*Ultimatte Intelligence: clicking on any problem areas automatically
 adjusts controls to a probable-best setting for correction.

*Color Conformance: matches the look of the foreground to the background
 (or vice-versa) for absolute realism.

*External matte: allows overlaying an externally-generated mask to
 "extend" the blue or green screen so that wide-angle and long shots can
 be composited even though they overshoot the screen.

